
Documentary footage (from the 1950's) and accompanying commentary to attempt to answer the existential question, Why are our lives characterized by discontent, anguish, and fear? The film is in two completely separate parts, and the directors of these respective sections, left-wing Pier Paolo Pasolini and conservative Giovanni Guareschi, offer the viewer contrasting analyses of and prescriptions for modern society. Part I, by Pasolini, is a denunciation of the offenses of Western culture, particularly those against colonized Africa. It is at the same time a chronicle of the liberation and independence of the former African colonies, portraying these peoples as the new protagonists of the world stage, holding up Marxism as their "salvation", and suggesting that their "innocent ferocity" will be the new religion of the era. Guareschi's part, by contrast, constitutes a defense of Western civilization and a word of hope, couched in traditional Christian terms, for man's future.
Use Gatsby to find where to watch La rabbia (1963) online. This movie page brings together streaming availability, cast details, ratings, and related discovery links in one place.
Watch now by comparing streaming, rental, and purchase options from Apple TV (Rent), Apple TV (Buy) where they are currently listed for your region.
Gatsby shows where to watch La rabbia online, including streaming, rental, and purchase options when availability data is listed for your region.
La rabbia may be available through Apple TV (Rent), Apple TV (Buy) where those providers are listed.
The cast section includes Marilyn Monroe, Sophia Loren, Vladimir Lenin, and more, with links to Gatsby cast and filmography pages.
Use the related titles, genre links, and browse pages on Gatsby to find more movies and shows like La rabbia.

Documentary footage (from the 1950's) and accompanying commentary to attempt to answer the existential question, Why are our lives characterized by discontent, anguish, and fear? The film is in two completely separate parts, and the directors of these respective sections, left-wing Pier Paolo Pasolini and conservative Giovanni Guareschi, offer the viewer contrasting analyses of and prescriptions for modern society. Part I, by Pasolini, is a denunciation of the offenses of Western culture, particularly those against colonized Africa. It is at the same time a chronicle of the liberation and independence of the former African colonies, portraying these peoples as the new protagonists of the world stage, holding up Marxism as their "salvation", and suggesting that their "innocent ferocity" will be the new religion of the era. Guareschi's part, by contrast, constitutes a defense of Western civilization and a word of hope, couched in traditional Christian terms, for man's future.







