
In this confusing drama, the IRA, intrigue, psychiatric analysis, and a young man framed for murder are thrown together in a series of events that were perhaps originally intended to highlight the psychological aspects of the case under study. One night, eighteen-year-old Harry Jukes (British rock 'n roller Adam Faith in his first dramatic role) is driving down a deserted country road when he gets a flat tire. A policeman stops to help him out when a truck drives by, and the next thing Harry knows, the policeman is lying dead on the road and Harry is literally holding a smoking gun in his hand. From there to his arrest and trial is a brief hop, skip, and then a jump into prison to await his execution. His lawyer thinks he did it, but his psychiatrist (Anne Baxter) disagrees -- and sets out to prove she is right.
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In this confusing drama, the IRA, intrigue, psychiatric analysis, and a young man framed for murder are thrown together in a series of events that were perhaps originally intended to highlight the psychological aspects of the case under study. One night, eighteen-year-old Harry Jukes (British rock 'n roller Adam Faith in his first dramatic role) is driving down a deserted country road when he gets a flat tire. A policeman stops to help him out when a truck drives by, and the next thing Harry knows, the policeman is lying dead on the road and Harry is literally holding a smoking gun in his hand. From there to his arrest and trial is a brief hop, skip, and then a jump into prison to await his execution. His lawyer thinks he did it, but his psychiatrist (Anne Baxter) disagrees -- and sets out to prove she is right.







