
Pauline Kael (1919–2001) was undoubtedly one of the greatest names in film criticism. A Californian native, she wrote her first review in 1953 and joined ‘The New Yorker’ in 1968. Praised for her highly opinionated and feisty writing style and criticised for her subjective and sometimes ruthless reviews, Kael’s writing was refreshingly and intensely rooted in her experience of watching a film as a member of the audience. Loved and hated in equal measure – loved by other critics for whom she was immensely influential, and hated by filmmakers whose films she trashed - Kael destroyed films that have since become classics such as The Sound of Music and raved about others such as Bonnie and Clyde. She was also aware of the perennial difficulties for women working in the movies and in film criticism, and fiercely fought sexism, both in her reviews and in her media appearances.
Use Gatsby to find where to watch What She Said: The Art of Pauline Kael (2019) online. This movie page brings together streaming availability, cast details, ratings, and related discovery links in one place.
Watch now by comparing streaming, rental, and purchase options from Fandango At Home (Rent), Fandango At Home (Buy) where they are currently listed for your region.
Gatsby shows where to watch What She Said: The Art of Pauline Kael online, including streaming, rental, and purchase options when availability data is listed for your region.
What She Said: The Art of Pauline Kael may be available through Fandango At Home (Rent), Fandango At Home (Buy) where those providers are listed.
The cast section includes Gina James, Carol Baum, David O. Russell, and more, with links to Gatsby cast and filmography pages.
Use the related titles, genre links, and browse pages on Gatsby to find more movies and shows like What She Said: The Art of Pauline Kael.

Pauline Kael (1919–2001) was undoubtedly one of the greatest names in film criticism. A Californian native, she wrote her first review in 1953 and joined ‘The New Yorker’ in 1968. Praised for her highly opinionated and feisty writing style and criticised for her subjective and sometimes ruthless reviews, Kael’s writing was refreshingly and intensely rooted in her experience of watching a film as a member of the audience. Loved and hated in equal measure – loved by other critics for whom she was immensely influential, and hated by filmmakers whose films she trashed - Kael destroyed films that have since become classics such as The Sound of Music and raved about others such as Bonnie and Clyde. She was also aware of the perennial difficulties for women working in the movies and in film criticism, and fiercely fought sexism, both in her reviews and in her media appearances.







